Taking from the minimal influences of Dan Flavin, Donald Judd or Robert Smithson, Angela Bulloch's work moves in the direction of minimalism but forms a new relationship between shape and media. Her Pixel Boxes—which are object, picture, light, colour, and sound—refer to our digital life or codes where the distinction between image, text and sound collapse into one space. This catalogue documents the exhibitions held at De Pont Foundation in Tilburg, Modern Art Oxford, Secession, Vienna, and The Power Plant, Toronto, with essays that trace the art historical and philosophical lineage that Bulloch references, while simultaneously linking her to artists of her generation.