Jessica Stockholder is recognized internationally for her contribution to the tradition of abstract art. In his essay, Curator Marc Mayer connects Stockholder's art historical references to her deliberate erasure of the boundaries between painting, sculpture and architecture. Jessica Stockholder serves as the exhibition catalogue for the artist's installation at The Power Plant, First Cousin Once Removed or Cinema of Brushing Skin and includes a critical essay, an interview with the artist, and an artist's statement. Also included is a history and bibliography of Stockholder's installations.