The Power Plant

Arthur Stashak, an award-winning young dancer trained at Canada’s National Ballet School, has choreographed License to Disturb, which is improvisational, but as the audience interacts it becomes more of a structured choreography. The dancer prepared 30 movements, with each movement assigned its own number. The audience is encouraged to say any number, from 1 to 30, in any order and at any speed to essentially create their own choreography.