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Excuse our appearance as parts of the building will be under construction over the next few weeks. Starting from February 28 and until further notice, The Power Plant will reduce its opening hours due to building renovations. Please check our temporary opening hours.

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The Power Plant is open during the Easter weekend! We are open on Friday, Saturday and Sunday from 10 AM to 6 PM and Monday from 10 AM to 5 PM.  

Starting from February 28 and until further notice, The Power Plant will reduce its opening hours due to building renovations. We will also be moving our main entrance to the doors facing the lake for the moment being.

The gallery is piloting a program to nurture young refugees and their families through creativity and engagement with contemporary art

The Power Plant Contemporary Art Gallery is proud to announce its collaboration with Christie Refugee Welcome Centre, enabling a creative welcome to Canada for their residents.  

As part of The Power Plant’s mission to connect all communities with leading contemporary art, the gallery will host a series of art-making workshops at Christie Refugee Welcome Centre over March break next week (March 13–17, 2023). This week-long itinerary of art activities will culminate in a guided tour of the gallery to see solo exhibitions by Amartey Golding and Brenda Draney, alongside a group exhibition by Ontario-based artists titled _in parallel_.  

Located in downtown Toronto, Christie Refugee Welcome Centre (CRWC) has provided emergency shelter and a warm welcome for refugee families from all ethnic, racial, and religious backgrounds for more than two decades. Every year, CRWC hosts more than 200 residents, with 50% of them being children. At CRWC, refugees receive the care, support, and assistance they need to pursue their refugee claim and to reconstruct and begin their new lives in Canada.  

Nilou Salimi, Power Kids and Outreach Coordinator at The Power Plant and a Toronto-based artist, will lead the series of art-making workshops at the shelter. The workshops will draw on critical themes from The Power Plant’s Summer 2022 exhibitions, which featured works by Indigenous and Afro-Brazilian artist Paulo Nazareth and Iraqi Kurdish artist Hiwa K, who tackle critical issues of migration, displacement, and identity. 

Power Kids workshop participant at The Power Plant, Toronto, 2023. Photo: Hyerim Han

“We’re very excited to deliver creative workshops to the children staying at Christie Refugee Welcome Centre over March break and invite them to the gallery for a guided tour. I hope that through art-making and immersing themselves in contemporary art, the participants will find subject matter that resonates with them and an outlet to express themselves.”   
—Nilou Salimi, Power Kids and Outreach Coordinator, The Power Plant 

“We are so grateful to The Power Plant for partnering with us on March break programming. The refugee children that live in our shelter are unbelievably resilient. They’ve experienced and seen things during their refugee journey that are heartbreaking. Despite the children’s resiliency, we also recognize that they may be dealing with trauma and difficult emotions that they struggle to express. These art workshops will help the children’s creative skills and expression through art.”  
—Manny Wong, Executive Director, Christie Refugee Welcome Centre 

The Power Plant offers free access to its exhibitions and public programs through its _All Year, All Free_ initiative. Families in Toronto can attend Power Kids—free, creative workshops for children aged 7–12 on select Sundays, and schools can participate in our school visits program. Furthermore, the gallery invests in community outreach through creative workshops in partnership with community organizations. Past partners have included the Centre for Addiction and Mental Health, Making Art Making Change, March of Dimes, and Campfire Circle.  

**About Christie Refugee Welcome Centre**  
Christie Refugee Welcome Centre (CRWC) operates a 76-bed emergency shelter and offers initial settlement services to refugee claimants from around the world. It also provides an Outreach Program for families after they have moved out of the shelter to provide ongoing settlement, referrals for essential services, and basic needs support. For more information, please visit [christiestreetrc.com](https://christiestreetrc.com/).  

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The Power Plant Contemporary Art Gallery Delivers Art Workshops with Christie Refugee Welcome Centre

Includes talks, workshops, screenings, performances, and opportunities to meet artists Brenda Draney, Amartey Golding, Rouzbeh Akhbari, Joi T. Arcand, Aylan Couchie, Simon Fuh, Anique Jordan, and Julia Rose Sutherland.

The Power Plant Contemporary Art Gallery, Toronto, is proud to announce its public programming for Winter 2023, offering opportunities for everyone to engage in the topics, themes, and creative practices highlighted in its exhibitions from February 3 to May 14, 2023. 
  
As part of its year-long 35th anniversary, The Power Plant is presenting two solo exhibitions. Brenda Draney, an Edmonton-based Cree artist from Sawridge First Nation, is premiering six newly commissioned works, and Amartey Golding, a UK-based multidisciplinary artist, is debuting his first solo exhibition in Canada. The gallery is also presenting the first installment of the two-part group exhibition in parallel, featuring six Ontario-based artists: Rouzbeh Akhbari, Joi T. Arcand, Aylan Couchie, Simon Fuh, Anique Jordan, and Julia Rose Sutherland. 
  
The public programs accompanying the Winter 2023 season include a series of conversations with the exhibiting artists; a master class with Brenda Draney for Ontario-based artists; a screening of the TIFF-premiered film _The Maiden_ (2022), written and directed by Graham Foy; and a special performance in response to Amartey Golding's exhibition. Sunday Scene and Power Kids will continue to take place on select Sundays throughout the season.

Brenda Draney, Visit, 2021. Oil on canvas, 170 x 277 cm. Courtesy Gage and Luke Allard. Image courtesy Catriona Jeffries, Vancouver. Photo: Rachel Topham Photography.

“The Power Plant’s longstanding public programs, such as Power Kids and Sunday Scene, continue to offer accessible entry points into conversations about contemporary art, while artist talks, screenings, and performances provide opportunities for deeper engagements with the exhibitions. We hope everyone will make the most of these offerings throughout the winter months.”  
—Carolyn Vesely, Interim Director  
  
“The Winter 2023 exhibitions explore many sensitive yet timely subjects, including intimacy, generational trauma, and the lasting effects of colonialism. Through a broad range of talks, workshops, and events, The Power Plant continues to facilitate conversations on the critical issues of our times, whether that’s with children, first-time visitors, or experienced art enthusiasts and local artists.”	             
—Adelina Vlas, Head of Curatorial Affairs  

Amartey Golding, Bring Me To Heal 2, 2021. Courtesy the artist..jpg

**Amartey Golding**  
**_In the comfort of embers_**  

Amartey Golding’s first solo exhibition in Canada features three films: _Chainmail 3_, 2018, from his Chainmail series, and _Bring Me to Heal 1_ and _2_, 2021. These moving-image works are accompanied by two sculptures, which are garments seen in the films, as well as photographs that elaborate on the imagery and narratives in the projections.  
  
The selection of works in this exhibition reveals Golding’s engagement with intimacy, vulnerability, and physical strength. Using his mixed heritage and his family history as a starting point, the artist documents his introspective process of identifying and understanding the fundamental unifying themes of humanity: fear, love, care for kin, dreams, and desires. By incorporating particular materials, movements, sounds, and oral storytelling, he exposes viewers to his artistic process—a communal act that pushes all those involved to imagine beyond what they believe they are capable of. Both the making and the witnessing of Golding’s works serve as a form of healing from generational trauma, while the works themselves interrogate its origins. 
  
**Brenda Draney**  
**_Drink from the river_**  
  
_Drink from the river_, Brenda Draney’s first solo exhibition at The Power Plant, features a selection of existing and newly commissioned works that examine the complex nature of intimacy. Referencing her own memories and experiences living in Edmonton, the artist explores the layered meanings embedded in everyday motifs and situations. However, instead of simply reproducing these elements, Draney is more interested in addressing how their meanings can shift when filtered through individual interpretation. Furthermore, by deliberately leaving blank spaces in her paintings, Draney leaves room for viewers to deeply reflect on the subject matter presented. Audiences are invited to connect to the wide range of emotions tied to the nuanced experience of intimacy that the artist explores in her works.  
  
_Drink from the river_ thus not only considers how memory shapes identity but suggests that nostalgia—the pain stemming from the desire to recreate something from the past—can lead to a more profound understanding of oneself. Draney's commitment to representing critical moments from her life and the life of her community, as seen in her conscientious and sensitive approach to painting, makes her one of the most notable contemporary artists of her generation.  
  
**_in parallel_**   
**Rouzbeh Akhbari, Joi T. Arcand, Aylan Couchie, Simon Fuh, Anique Jordan, and Julia Rose Sutherland**  
  
_in parallel_ is a group exhibition that brings together six artists from Tkaronto and surrounding areas. Rouzbeh Akhbari, Joi T. Arcand, Aylan Couchie, Simon Fuh, Anique Jordan, and Julia Rose Sutherland explore how visual documentation and cultural practices can reclaim the narratives of their respective communities despite colonialism’s persistence. The artists’ pursuit of alternative histories reflects a desire to preserve connections to lands, peoples, and ways of living that mould who they are. In doing so, they also highlight the impact of oppressive forces on numerous communities around the world that continue to resist erasure by undertaking land-based resistance. 
  
These artists and works have been brought together as a way of finding the commonalities and differences among various forms of resistance in times of crises. How do we put differing liberation movements in dialogue to find the shared experiences that can make all of us co-conspirators, comrades, and allies? In her photographs, Anique Jordan confronts racist stereotypes with intimate portraits of Black people, while Julia Rose Sutherland engages with Indigenous traditions and knowledge to create sculptures that foster a collective healing. Joi T. Arcand reclaims Indigenous land with a site-specific commission that marks The Power Plant’s Fleck Clerestory with affirmations in nēhiyawēwin (Cree), while Simon Fuh’s vinyls retrace the original paths of two rivers in Ontario that colonists rerouted. Works by Rouzbeh Akhbari and sculptures by Aylan Couchie reveal how nation-states continuously disrupt lands and people. 
  
_in parallel_ is the first of two exhibitions that will present the work of twelve local artists, evoking The Power Plant’s very first exhibition, _Toronto: A Play of History (Jeu d’histoire)_, 1987. Both of the 2023 exhibitions will bring together tensions, hopes, and the transformative spaces artists create in the unfolding aftermath of settler colonialism. Specifically, _in parallel_ will highlight the intimate connections between land and body, while expressing each artist’s desire for changes that can lead to an intercommunal future. 

Julia Rose Sutherland, Flesh Economics, 2018. Neon sign, 62.6 x 62.2 x 15.2 cm. Courtesy the artist. Photo: Mike Love.

**Winter 2023 Public Programs:**  
- **Artist Workshop:** Master class with Brenda Draney for practicing artists  
- **Artist Talk:** Brenda Draney in conversation with Jacqueline Kok  
- **Artist Talk:** Amartey Golding in conversation with Joséphine Denis 
- **Artist Panel Discussion:** in parallel artists Rouzbeh Akhbari, Joi T. Arcand, Aylan Couchie, Simon Fuh, Anique Jordan, and Julia Rose Sutherland engage in a lively discussion 
- **Members Event:** Artist-led tour of in parallel 
- **Film Screening:** _The Maiden_ (2022), written and directed by Graham Foy 
- **Performance:** A performance in response to the work of Amartey Golding 
- **Power Kids:** Workshops for children aged 7–12 on select Sundays throughout the season 
- **Sunday Scene:** Thought leaders from the art world and beyond respond to the exhibitions 
For dates, times, and details on how to register, keep checking our [Event Calendar](https://www.thepowerplant.org/whats-on/calendar) and social media for updates. 

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The Power Plant announces free public programs to engage visitors with its Winter 2023 exhibitions

Adbdelkader Benchamma, Art Brussels, Belgium. Courtesy of the artist and Templon, Paris/Brussels/New York, Photo: Isabelle Arthuis.

**New works by artists Abdelkader Benchamma, Amartey Golding, Brenda Draney, Jen Aitken, and Ron Terada make their debut at Canada’s leading public gallery devoted to contemporary art**

The Power Plant Contemporary Art Gallery is proud to announce the five lead exhibitions for its 2023 program. Beginning February 3, 2023, the gallery will showcase new commissions and work by celebrated and emerging artists who are shaping cultural conversations in Canada and abroad. 
  
The 2023 program includes exhibitions of Adbdelkader Benchamma (born in Mazamet; based in Paris and Montpellier), Amartey Golding (born in London; based in Norwich), Brenda Draney (born in Sawridge First Nation, Treaty 8; based in Edmonton), Jen Aitken (born in Edmonton; based in Toronto), and Ron Terada (born and based in Vancouver). Further details will be announced in the coming months. 
  
_“As 2022 comes to a close, we are thrilled to share a preview of our program for the year ahead, one that represents The Power Plant’s commitment to diverse art and ideas,”_ said Carolyn Vesely, Interim Director. _“This year, we are proud to continue this mission with a spotlight on voices shaping artistic practices in Canada today. As a non-collecting institution, The Power Plant constantly seeks to expand the reach of the artists we work with through our commissioning program and touring exhibitions. We look forward to sharing their thought-provoking works with audiences across Canada and internationally, in 2023 and beyond.” _
  
2022–23 marks The Power Plant’s 35th anniversary. In celebration of this milestone, the gallery will present in parallel, a two-part presentation of twelve Ontario-based artists that evokes The Power Plant’s inaugural exhibition in 1987 — Toronto: A Play of History (Jeu d’histoire). Both presentations will highlight the tensions, hopes, and the transformative spaces artists create in the unfolding aftermath of settler colonialism. The first iteration runs February 3 – May 13, 2022, followed by a second June – September 2023.  
  
**Winter 2023**
  
Brenda Draney (b. 1976, Sawridge First Nation, Treaty 8; based in Edmonton, Canada)  
_Drink from the river_  
February 3 – May 14, 2023
  
Painter Brenda Draney’s largest institutional exhibition to date, Drink from the river, features nearly 40 works by Draney, including five previously unexhibited paintings that examine the complex nature of intimacy. The presentation will be accompanied by a publication co-produced by Arts Club of Chicago.
  
Amartey Golding (b. 1988, London, UK; based in Norwich, UK)  
February 3 – May 14, 2023  
  
Amartey Golding’s first solo exhibition in Canada features three films, including the debut of Chainmail 3 (2018) from the artist’s Chainmail film series and Bring me to Heal 1 and 2 (2021). Screenings are accompanied by two installations of garments featured in the films, as well as photographs that further explore their imagery and narratives.
  
_in parallel_  
February 3 – May 14, 2023
  
in parallel brings together six artists from Tkaronto to explore how visual documentation and cultural practices can reclaim narratives of their respective communities despite colonialism’s persistence, featuring work by Rouzbeh Akhbari, Joi T. Arcand, Aylan Couchie, Simon Fuh, Anique Jordan, and Julia Rose Sutherland.
  
The second iteration of the project, centred on language-based forms of resistance, will be presented as part of The Power Plant’s Summer 2023 program and feature work by Ella Gonzales, Sami Tsang, Erdem Taşdelen, Shaheer Zazai, Micah Lexier, and Matt Nish-Lapidus.
  
**Summer 2023**
  
Jen Aitken (b. 1985, Edmonton, Canada; based in Toronto, Canada)  
June – September 2023
  
Jen Aitken’s solo exhibition at The Power Plant—the artist’s first major institutional presentation—features both new commissions and a selection of concrete sculptures from the past several years. The exhibition also debuts her first video installation, animating the geometric shapes of her sculptures into an immersive prelude to the exhibition.
  
Ron Terada (b. 1969, Vancouver, Canada; based in Vancouver, Canada)  
June – September 2023
  
Ron Terada’s exhibition at The Power Plant is comprised of paintings from TL; DR, his most recent series of work, produced in five parts since 2017. Terada has been producing series of found text paintings since 1993. Their sources include commercial gallery ads, high school yearbook quotes, Jeopardy clues, the subject index from a book about art world finance, and the full text of an artist’s memoir.
  
**Fall 2023**
  
Abdelkader Benchamma (b. 1975, Mazamet, France; based in Paris and Montpellier)  
October 2023 – January 2024
  
In his first major solo presentation in Canada, and most comprehensive to date in North America, Abdelkader Benchamma presents drawings on canvas and on paper, as well as a site-specific work as part of The Power Plant’s Fleck Clerestory Commission Program.

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The Power Plant Contemporary Art Gallery Announces Lead Exhibitions for 2023

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Discover The Power Plant Archives

Amartey Golding: In the comfort of embers

Amartey Golding’s first solo exhibition in Canada features a selection of works revealing his engagement with intimacy, vulnerability, and physical strength.

In the comfort of embers

_in parallel_ is a group exhibition that brings together six artists from Tkaronto and surrounding areas, exploring how visual documentation and cultural practices can reclaim the narratives of their respective communities despite colonialism’s persistence. 

in parallel

Brenda Draney: Drink from the river

_Drink from the river_, Brenda Draney’s first solo exhibition at The Power Plant, features a selection of existing and newly commissioned works that examine the complex nature of intimacy.

Drink from the river

On view 

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Welcome to The Power Plant Contemporary Art Gallery

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Give the gift of art

Power Kids: Clay House

We welcome kids and their families to visit The Power Plant on April 2 for the Power Kids: Clay House workshop inspired by [Brenda Draney’s](https://www.thepowerplant.org/whats-on/exhibitions/drink-from-the-river) clay sculptures!

Draney’s clay sculptures represent the floor plans of the basements of places she has lived. The sculptures include the stairs leading to the basements, the floors, and the walls. After a tour of Draney's exhibition, kids will use clay to make a floor plan of a room in their house.

Brenda Draney (b. 1976, Sawridge First Nation, Treaty 8, with a strong connection to Slave Lake; based in Edmonton) has been featured in exhibitions at the Walter Phillips Gallery, Banff (2019); Fogo Island Arts (2019); Oakville Galleries (2018); Kitchener-Waterloo Gallery (2017); Audain Gallery, Simon Fraser University, Vancouver (2017); National Gallery of Canada, Ottawa (2016); Art Gallery of Alberta, Edmonton (2015); and Mendel Art Gallery, Saskatoon (2013). She received her Master of Applied Arts from the Emily Carr University of Art and Design, Vancouver (2010) and her BFA from the University of Alberta, Edmonton (2006). In 2014, Draney was the recipient of the Eldon and Anne Foote Edmonton Visual Arts Prize, and she won the 2009 RBC Painting Competition. She is represented by Catriona Jeffries Gallery, Vancouver.

Power Kids

Brenda Draney (b. 1976, Sawridge First Nation, Treaty 8, with a strong connection to Slave Lake; based in Edmonton) has been featured in exhibitions at the Walter Phillips Gallery, Banff (2019); Fogo Island Arts (2019); Oakville Galleries (2018); Kitchener-Waterloo Gallery (2017); Audain Gallery, Simon Fraser University, Vancouver (2017); National Gallery of Canada, Ottawa (2016); Art Gallery of Alberta, Edmonton (2015); and Mendel Art Gallery, Saskatoon (2013).

Brenda Draney (b. 1976, Sawridge First Nation, Treaty 8, with a strong connection to Slave Lake; based in Edmonton) has been featured in exhibitions at the Walter Phillips Gallery, Banff (2019); Fogo Island Arts (2019); Oakville Galleries (2018); Kitchener-Waterloo Gallery (2017); Audain Gallery, Simon Fraser University, Vancouver (2017); National Gallery of Canada, Ottawa (2016); Art Gallery of Alberta, Edmonton (2015); and Mendel Art Gallery, Saskatoon (2013). She received her Master of Applied Arts from the Emily Carr University of Art and Design, Vancouver (2010) and her BFA from the University of Alberta, Edmonton (2006). In 2014, Draney was the recipient of the Eldon and Anne Foote Edmonton Visual Arts Prize, and she won the 2009 RBC Painting Competition. She is represented by Catriona Jeffries Gallery, Vancouver. 

Power Kids takes place on select Sundays throughout our exhibition seasons and includes a guided tour in or outside the gallery followed by a short creative activity. Each workshop is different, so kids can return throughout the season and be inspired every time.

Power Kids is a series of free creative workshops for children aged 7–12, led by skilled and dynamic artist-educators and inspired by our current exhibitions.


We welcome kids and their families to visit The Power Plant on April 2 for the Power Kids: Clay House workshop inspired by Brenda Draney’s clay sculptures!

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We welcome kids and their families to visit The Power Plant on April 16 for the Power Kids: Letters and Words workshop inspired by [Joi T Arcand’s](https://www.thepowerplant.org/whats-on/exhibitions/in-parallel) artwork!

Joi T. Arcand reclaims Indigenous land with a site-specific commission that marks The Power Plant’s Fleck Clerestory with affirmations in nēhiyawēwin (Cree). Following a discussion about Arcand’s piece in the Fleck Clerestory, Decoded, 2023, which uses Cree text and syllabics, families will learn about text art and create visual artworks by drawing, painting, and collaging.

Joi T. Arcand is an Ottawa-based artist from Muskeg Lake Cree Nation, Treaty 6 territory. She received her Bachelor of Fine Arts degree with Great Distinction from the University of Saskatchewan, Saskatoon, in 2005.

Joi T. Arcand is an Ottawa-based artist from Muskeg Lake Cree Nation, Treaty 6 territory. She received her Bachelor of Fine Arts degree with Great Distinction from the University of Saskatchewan, Saskatoon, in 2005. In 2018, Arcand was shortlisted for the prestigious Sobey Art Award. Her practice includes photography, digital collage, and graphic design. Using Cree language and syllabics, Arcand creates works of art that not only render visible her own complex relationship to language as a nēhiyaw iskwēw raised in the Prairies but also reclaim and Indigenize public spaces through this new visibility. 

We welcome kids and their families to visit The Power Plant on April 16 for the Power Kids: Letters and Words workshop inspired by Joi T Arcand’s artwork!

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Power Kids: Letters and Words

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The Power Plant is pleased to offer our [Artist Members](https://docs.google.com/forms/d/1IuB4bmmb0AqGXPze6jsDdAuGj2_KxF7YPePH3xvUTmw/edit) a tour of The Next Contemporary's inaugural exhibition _[Something Like Arriving](https://thenextcontemporary.com/exhibitions/#)_, featuring works by Alize Zorlutuna, Diyar Mayil, and Sukaina Kubba.

The exhibition looks at comfort beyond a physical state, as a complete sensory experience felt through the lens of diverse artistic interpretations. Each artist unmakes and remakes the idea of home, translating space and re-imagining domestic objects as languages of both belonging and estrangement.

The three artists investigate the relationship of comfort and place to aesthetics and the tension that occurs when objects are physically familiar but visually or psychologically uncomfortable. Working across varied disciplines, the artists trace distance through laborious and devotional material processes.

Join our free **[Artist Membership](https://docs.google.com/forms/d/1IuB4bmmb0AqGXPze6jsDdAuGj2_KxF7YPePH3xvUTmw/edit)** to receive the invite!

Artist Members

The Power Plant is pleased to offer a tour of The Next Contemporary's inaugural exhibition Something Like Arriving, featuring works by Alize Zorlutuna, Diyar Mayil, and Sukaina Kubba.

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Tour of The Next Contemporary Gallery

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We invite Power Patrons to join us for a private walk-through of our Winter 2023 exhibitions!

The tour will be led by The Power Plant's Head of Curatorial Affairs Adelina Vlas and Assistant Curator, Special Projects, Joséphine Denis, and guests will learn about key themes of the shows on view.

Artists from the _[in parallel](https://www.thepowerplant.org/whats-on/exhibitions/in-parallel)_ group exhibition will also be in attendance, sharing creative insights about their works and answering questions. A small reception will follow the tour.

Learn about and engage with contemporary art on a deeper level. Become a **[Power Patron](https://www.thepowerplant.org/join-and-support/patron-circles)** today to join this exciting event!


Power Patron Event

The Power Plant curators Adelina Vlas and Josephine Denis will be leading us on a tour of our Winter Exhibitions. Learn about and engage with three unique exhibitions on the deepest level. Special guests include artists from In parallel who will personally speak on their work. A small reception will follow the tour. 

The Power Plant