The Power Plant

Life on the CAPS

Past Exhibition

Sep 09 – Sep 18 2022

Meriem Bennani, Guided Tour of a Spill

Still from Meriem Bennani, Guided Tour of a Spill (CAPSInterlude), 2021. Courtesy the artist and François Ghebaly


PRESENTING SPONSOR

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INTERNATIONAL ARTS PARTNER

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CURATOR

ADELINA VLAS

This exhibition will mark Moroccan artist Meriem Bennani’s Canadian premiere of Life on the CAPS and the viral sensation 2 Lizards, made in collaboration with Orian Barki.

The Power Plant Contemporary Art Gallery is excited to announce its partnership with The Vega Foundation for the presentation of two moving image works by Morocco-born, New York–based Meriem Bennani as part of the Toronto International Film Festival’s Wavelengths program. On view every day between September 9 and 18, The Power Plant invites the public to experience the Canadian premiere of Bennani’s works for free.

Bennani’s Life on the CAPS, 2018–22, and her collaborative project with Orian Barki, 2 Lizards, 2020, question contemporary society and its fractured systems, individual identity, and the ubiquitous dominance of digital technologies. Using live-action footage, computer-generated animation, and special effects, her videos mix visual references drawn from reality television, advertising, music videos, phone recordings, documentary, and science fiction.

Set in a supernatural, dystopian future, the trilogy Life on the CAPS (short for “capsule”) features a fictional island in the middle of the Atlantic Ocean. In the world of the CAPS, teleportation has replaced air travel, and displaced populations utilize this mode of transportation to cross oceans and borders. Enclosed by a magnetic shield, the CAPS houses migrants who have been caught teleporting illegally. Settled into bustling enclaves, citizens of the CAPS have developed their own hybrid culture and modes of defiance in opposition to the US troops that patrol the island.

2 Lizards reflects the unfolding realities of the COVD-19 pandemic in real time. Each roughly three-minute episode illustrates the mundanities of quarantine life: rooftop hangouts, Zoom birthdays, the 7 PM clap for essential workers, the thrill of breaking social-distancing rules with a new lover. The process of Bennani and her collaborator Orian Barki was mostly inspired by their daily events and conversations with friends, whose viewpoints are included in the series through a cast of animated characters.

This exhibition is presented as a partnership between The Power Plant Contemporary Art Gallery, The Vega Foundation, and the Toronto International Film Festival's Wavelengths series, curated by Andréa Picard, Senior Film Curator, TIFF.

Meriem Bennani was born in Rabat, Morocco. Her work has been exhibited internationally, including at the Whitney Biennial, New York; MoMA PS1, New York; and Palais de Tokyo, Paris. She lives and works in Brooklyn, New York.

Orian Barki was born in Tel Aviv, Israel, and lives and works in New York. Barki shoots and edits most of her raw and character-driven documentaries herself, and she has also directed short documentaries for The Fader, Vogue, Nike, and Art21. Her work has been featured in Le Cinéma Club and Dazed.

The Vega Foundation is named after one of the brightest stars in the Northern Hemisphere. Established by Elisa Nuyten, Vega is dedicated to supporting and promoting artists through the production and acquisition of new moving-image works and to facilitating their presentation through institutional collaborations.

Still from Meriem Bennani, Guided Tour of a Spill (CAPSInterlude), 2021. Courtesy the artist and François Ghebaly

Still from Meriem Bennani, Guided Tour of a Spill (CAPSInterlude), 2021. Courtesy the artist and François Ghebaly

Meriem Bennani and Orian Barki, 2 Lizards (still), 2020. Courtesy the artists

Meriem Bennani and Orian Barki, 2 Lizards (still), 2020. Courtesy the artists

Meriem Bennani and Orian Barki, 2 Lizards (still), 2020. Courtesy the artists.

Meriem Bennani and Orian Barki, 2 Lizards (still), 2020. Courtesy the artists.

Meriem Bennani, Life on the CAPS

Meriem Bennani, Life on the CAPS, 2018-22. Digital video, colour, sound in English and Arabic, 76:00. Commissioned by Nottingham Contemporary, UK, and The Renaissance Society, Chicago. Collection of The Vega Foundation. Installation view: The Power Plant, Toronto, 2022. Photo: Toni Hafkenscheid

Meriem Bennani and Orian Barki, 2 Lizards, 2020. Digital video, colour, sound in English, 22:00. Collection of The Vega Foundation. Installation view: The Power Plant, Toronto, 2022. Photo: Toni Hafkenscheid.

Meriem Bennani and Orian Barki, 2 Lizards, 2020. Digital video, colour, sound in English, 22:00. Collection of The Vega Foundation. Installation view: The Power Plant, Toronto, 2022. Photo: Toni Hafkenscheid.