Carey Young: Counter Offer
Mar 13 – May 17 2009
Carey Young, Still from Uncertain Contract, 2008. Single-channel video, 14:57 min. Courtesy the artist and Paula Cooper Gallery, New York.
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Drawing together works in video, photography, text, and performance, Carey Young: Counter Offer presents an overview of the artist’s witty explorations of corporate and legal culture. For the past decade, Young has investigated art’s links with global commerce, together with legacies of Conceptual art and institutional critique. Immersing herself in the business and legal worlds, Young examines them from the inside out. As such Young makes no claims to an outsider status, but teases out her own, her viewers’ and her host organizations’ complicity with corporate values and processes as a way to discuss ideas of critical distance.
The video I Am a Revolutionary (2001) shows a motivational trainer coaching Young to sound like a convincing "radical." In Product Recall (2007) we see the artist in a psychotherapy session attempting to match advertising slogans about creativity with their respective global brands. Notions of listening, learning and speaking figure in other key works. For the public speaking project Speechcraft (2007–ongoing), Young collaborates with a Toronto Toastmasters club. Meanwhile the video Everything You’ve Heard is Wrong (1999) shows Young trying to lead a corporate communication skills workshop at Speaker’s Corner. This slippage between global economics and the avant-garde also informs the photographic series Body Techniques (2007), for which Young re-enacts legendary performance art works against the epic, new corporate HQ backdrops of Dubai and Sharjah.
Visitor participation is central to several works included. Donorcard (2005–ongoing) is a limited-edition, wallet-size card that visitors can take home. The card acquires the status of an artwork once they sign it and remains an artwork until their or the artist’s death: “Art becomes legally bound to life and death.” In The Representative (2005–ongoing), a "portrait by telephone," gallery audiences can ask a telephone call-centre agent about moments from their life history.
Society’s increasingly litigious nature is Young’s latest focus. In 2008 she worked with a team of lawyers to devise an exhibition based on contracts that concerned viewing, owning and collecting art. Counter Offer (2008), from which the current exhibition title derives, comprises an offer and a counter offer, each with a utopian theme. Creating a legal loop, these offers cancel each other in "mid-air": through the act of reading, Counter Offer both erases and "withdraws" itself.
Carey Young, Body Techniques (After Parallel Stress, Dennis Oppenheim, 1970), 2007. Lightjet print. Courtesy the artist and Paula Cooper Gallery, New York.
Carey Young, Uncertain Contract, 2008. Single-channel video, 14:57 min. Courtesy the artist and Paula Cooper Gallery, New York.
Carey Young, The Representative, 2005 and ongoing. Professional call centre agent, direct dial telephone connection, telephone, chair, lamp, table, area rug, and framed photograph of call centre agent. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Rafael Goldchain.
Carey Young, Product Recall, 2007. Single-channel video, 4:27 min. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Rafael Goldchain.
Carey Young, Inventory, 2007. Vinyl text and ink on paper. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Rafael Goldchain.
Carey Young, Donorcard, 2005 and ongoing. Ink on paper, signed with archival ink. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Rafael Goldchain.
About the Artist
Carey Young was born in 1970, in Lusaka, Zambia, and lives in London, England.