The Power Plant

The Power Plant Contemporary Art Gallery is excited to announce its partnership with Vega Foundation for the presentation of two moving image works by Morocco-born, New York–based Meriem Bennani as part of the Toronto International Film Festival’s Wavelengths program. On view every day between September 9 and 18, The Power Plant invites the public to experience the Canadian premiere of Bennani’s works for free.

Bennani’s Life on the CAPS, 2018–22, and her collaborative project with Orian Barki, 2 Lizards, 2020, question contemporary society and its fractured systems, individual identity, and the ubiquitous dominance of digital technologies. Using live-action footage, computer-generated animation, and special effects, her videos mix visual references drawn from reality television, advertising, music videos, phone recordings, documentary, and science fiction. Set in a supernatural, dystopian future, the trilogy Life on the CAPS (short for “capsule”) features a fictional island in the middle of the Atlantic Ocean. In the world of the CAPS, teleportation has replaced air travel, and displaced populations utilize this mode of transportation to cross oceans and borders. Enclosed by a magnetic shield, the CAPS houses migrants who have been caught teleporting illegally.

Settled into bustling enclaves, citizens of the CAPS have developed their own hybrid culture and modes of defiance in opposition to the US troops that patrol the island. 2 Lizards reflects the unfolding realities of the COVD-19 pandemic in real time. Each roughly three-minute episode illustrates the mundanities of quarantine life: rooftop hangouts, Zoom birthdays, the 7 PM clap for essential workers, the thrill of breaking social-distancing rules with a new lover. The process of Bennani and her collaborator Orian Barki was mostly inspired by their daily events and conversations with friends, whose viewpoints are included in the series through a cast of animated characters.