The Power Plant

Jeneen Frei Njootli

Jeneen Frei Njootli’s work has been presented in many galleries, museums, and artist-run centres around the world. Recent exhibitions include: Noise of the Flesh: Score for gina pane, Frac des Pays de la Loire, France (2023–24); Indian Theater: Native Performance, Art, and Self-Determination Since 1969, curated by Candice Hopkins, CCS Bard Hessel Museum, New York (2023); I don’t know you like that: The Bodywork of Hospitality, UB Art Galleries, Buffalo (2022–23); Early Days: Indigenous Art at the McMichael, McMichael Canadian Art Collection, Kleinburg (2020–21); 2021 Triennial: Soft Water Hard Stone, New Museum, New York (2021–22); Listen Up: Northern Soundscapes, Anchorage Museum (2021); Where Do We Go From Here?, Vancouver Art Gallery (2020–21); and Nadia Belerique, Jeneen Frei Njootli, Kathy Slade, Kunstverein Braunschweig, Germany (2020–21). Selected group exhibitions, biennales, and conferences include: the Anchorage Museum, Alaska (2020); the Toronto Biennial of Art (2020); The National Gallery of Canada, Ottawa (2018–19); and the Vancouver Art Gallery (2016–18), among others. Frei Njootli holds an MFA from the University of British Columbia and a BFA from Emily Carr University. They are represented by Macaulay & Co. Fine Art in Vancouver.