The Power Plant

Appunti per un’Orestiade Africana (Notes Towards an African Orestes)

Tue Mar 31 2020

3:00 PM


Studio Theatre
Harbourfront Centre

Pier Paolo Pasolini

The Power Plant has postponed all programming until further notice in view of the COVID-19 public health emergency. For updates, please continue to refer to Toronto Public Health.

Appunti per un’Orestiade Africana (Notes Towards an African Orestes)
Directed by Pier Paolo Pasolini
1970, B&W, 65 minutes

While shooting Medea, a film about the subjugation of the ancient world to an alienating modernity, Pasolini developed the idea to make a companion piece about another Greek myth – the story of Orestes. This story would end more happily, with the archaic making way for a different kind of modernity, built not on exploitation but on communalism. Encouraged by emerging socialist governments in post-colonial Africa, Pasolini hoped to shoot his film there, and so he went to Uganda and Tanzania to scout for locations and actors. That footage became the basis for this film, with Pasolini explaining his ideas on the soundtrack. A perfect example of leftist intellectual auto-critique, the film climaxes with Pasolini discussing his plans with a group of African students in Rome. The discussion hovers somewhere between tragedy and farce as one by one, the students calmly and kindly offer numerous reasonable objections to Pasolini’s idea, all of which he seems to take in stride. The Oresteia project was never made. Little-seen and little-discussed, the film is essential viewing for understanding Pasolini’s political thinking and his attachment to myth.
– Harvard Film Archive

This film will be introduced by Marco Malvestio. Malvestio is a Postdoctoral Fellow at the University of Toronto's Departent of Italian Studies, where he works on the ecological issues of Italian science fiction. He obtained a PhD in Comparative Literature at the University of Padua in 2019. His doctoral research concerned the representation of the Second World War in post-postmodern fiction, in works by Roberto Bolaño, William T. Vollmann, Jonathan Littell, and Richard Flanagan, among others. He published peer-reviewed articles on Philip Roth, Roberto Bolaño, Jeff VanderMeer, Bret Easton Ellis, and on Italian science fiction. The Conflict Revisited: The Second World War in Post-Postmodern Fiction, a book based on his doctoral thesis, is scheduled for publication in 2020.

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For more information on this film series, please contact